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Pieter Aertsen Vendor of Fowl oil painting


Vendor of Fowl
Painting ID::  52235
Pieter Aertsen
Vendor of Fowl
1560s Oil on panel, 137 x 95 cm

   
   
     

Pieter Aertsen Apostles Peter and John by Pieter Aertsen oil painting


Apostles Peter and John by Pieter Aertsen
Painting ID::  58177
Pieter Aertsen
Apostles Peter and John by Pieter Aertsen
Apostles Peter and John by Pieter Aertsen (1575). Oil on wood, 55.5 ?? 76 cm. The Hermitage, St. Petersburg

   
   
     

Pieter Aertsen Die Kochin oil painting


Die Kochin
Painting ID::  68625
Pieter Aertsen
Die Kochin
Date 1559 Technique Oil on panel Dimensions 161 x 79 ?? 108 cm

   
   
     

Pieter Aertsen Die Kochin oil painting


Die Kochin
Painting ID::  68822
Pieter Aertsen
Die Kochin
1559 oil on panel 161 x 79 X 108 cm

   
   
     

Pieter Aertsen kristus och aktenskapsbryterskan oil painting


kristus och aktenskapsbryterskan
Painting ID::  69132
Pieter Aertsen
kristus och aktenskapsbryterskan
olja på duk 122x180 se

   
   
     

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     Pieter Aertsen
     1508-1575 Flemish Pieter Aertsen Galleries Dutch painter and draughtsman, active also in the southern Netherlands. He probably trained in his native Amsterdam but early on moved to Antwerp, where he enrolled in the Guild of St Luke as a master in 1535. In 1542 he was granted citizenship of the city. Among his pupils in Antwerp were Johannes Stradanus and later Joachim Beuckelaer, a cousin of the artist wife and his most loyal follower. The earliest known work by Aertsen is a triptych with the Crucifixion (c. 1545-6; Antwerp, Maagdenhuismus.) for the van den Biest Almshouse in Antwerp. From 1550 Aertsen development can be traced through a large number of signed and dated paintings. Religious works, mostly intended for churches, must have formed an important part of Aertsen output. His early paintings seem to have been strongly influenced by other Antwerp artists, as can be seen in the van den Biest triptych, where the figures are close to those in Jan Sanders van Hemessen background scenes. Van Hemessen influence is also strong in the pair of triptychs showing the Seven Sorrows of the Virgin and the Seven Joys of the Virgin (the latter dated 1554; both Zoutleeuw, St Leonard).

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